The man. The legend. The mystery. He fascinated us in life, and long after his “death”. This is the story of India’s biggest cover-up: Netaji Subhash Chandra Bose and the mystery of his alleged death.
On this day, in 1945, Netaji Subhas Chandra Bose went on a flight from Taihoku Airport in Taiwan, only to disappear forever. We still do not know what happened to him. People have a right to know about the great son of the soil.
— Mamata Banerjee (@MamataOfficial) August 18, 2018
film: ‘Bose: Dead/Alive’ (available on AltBalaji)
Director: Pulkit; Starring: Rajkummar Rao, Naveen Kasturia, Edward Sonnenblick, Anna Ador
If one had to single out one actor this year for the most outstanding work in Indian cinema, it would have to be Rajkummar Rao who flitted from the flirtatious in “Bareilly Ki Barfi” to the portentous in “Newton”.
At the end of the year, we saw Rao playing the much-misunderstood Subhash Chandra Bose in a series produced by Ekta Kapoor available on Kapoor’s streaming service AltBalaji.
Through the haze of time: A rare picture of Subhas Chandra Bose. pic.twitter.com/YnrnA6FmH1
— Anuj Dhar (@anujdhar) August 12, 2018
The saga, directed by a young Bihari named Pulkit with an abundance of inputs from the series’ creative director Hansal Mehta, is spread over 9 episodes of 20 minutes each. I advise you to watch the entire series in one go to fully comprehend the resonant reach of the research that envelopes the gripping tale of a freedom fighter who defied Gandhian norms of anti-Colonialism to forge his own language of protest and to eventually form his own army.
So was Bose killed or not killed in the plane crash?
The entire series is designed as a cat-and-mouse game between the various representations of the British Raj and Bose, Rajkummar Rao taking us through the various stages of transition in the enigmatic leader’s life with a sure-handed cockiness that never suggests a shred of smugness. Yup, Rao is at the peak of his excellence and enjoying every bit of it without growing complacent.
Bose’s early scenes of youthful rebellion in Kolkata are shot with a spry mischievousness.In one sequence he beats a Gora teacher with his chappal for insulting the Hindu religion and walks away from the mayhem with not an iota of fear or remorse, as the background score erupts with a “Bose Bose!” chant that Salman Khan would have wanted in his next “Dabangg” film.
Patralekha (seen with Rao in the moving film “Citylights”) has a cute cameo in the first episode as a prospective bride for Bose who shares a stolen smoke with him on the rooftop. The cigarette smoking habit is clumsily incorporated. Rao doesn’t seem comfortable with the cancer stick. And that’s fine by us.
The writing borrows trivial vignettes from Bose’s life turning the biopic into a celebration of rebellious splendour unfettered by the rules of governance. I enjoyed the personal moments between Bose and his German wife Emilie(Anna Ador) and his insurgent allies more than the pointedly political run-ins with Gandhiji(played with reasonable credibility by Surendra Rajan) and Nehruji(actor Sanjay Gurbaxani strips the charismatic man of all charm and warmth).
His legacy of progressive ideas will always guide us like a beacon light. We will remember the visionary leader forever.Tributes to the great patriot and legendary freedom fighter Netaji Subhash Chandra Bose, on his death anniversary#SubhasChandraBose, pic.twitter.com/0QIJMefYwL
— Congress Sevadal (@CongressSewadal) August 18, 2018
The more ‘epic’ moments in the saga suffer from monetary constraints. Let’s not forget, this series is meant to be watched on mobile phones and computers. Not the best way to get to know a national leader who has for generations been much misunderstood and hugely maligned. However, the key performers and some outstanding writing(Eklavya Bhattacharya, Jyoti Kapoor Das, Anuj Dhar, Reshu Nath) ensure our interest-level in the subtle often sharply executed flag-waving doesn’t flag.
Locations standing in for Manchuria, Vienna and other places that Bose resorted as Colonial fugitive have been chosen well and serve the series’ purpose effectively.
However, the Britishers are portrayed as quasi-caricatures. Edward Sonenblick(seen giving company to Kapil Sharma in the recent film Firangi) struggles to imbue dignity in a role that’s purely a colonial cartoon. Besides Rajkummar Rao, it is Naveen Kasturia playing the conflicted havaldar Darbari Lal who brings an endearing world-weariness to the role of a British stooge who would rather not finger a fireball called Subhas Chandra Bose. The bantering between Bose and Darbari Lal contoured by the shifting loyalties is a high point in every episode.
This series dares. And for its audacity alone, it deserves our attention.